Why Spotify's Shows With Music Is A Big Deal Beyond Podcasting

Spotify now lets you place entire hit songs in your episodes, with monetization options & no licensing fee. Yes, there’s a twist. But this might be the biggest change to podcasting since… podcasting.

October 15, 2020

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Recently, Spotify removed a seemingly unmovable object that some say has plagued podcasting since the beginning of podcasting: music licensing. From the start, podcasters have wanted to play licensed commercial music - the songs you hear on the radio or have in your personal music library - on their shows. But that has been verboten thanks to the complexity of music licensing rights and hefty fines for copyright violation.

Because of that markedly unfriendly climate, pioneering music podcasters like C.C. Chapman had to satisfy themselves and their home fries with what became known as podsafe music; music made available under Creative Commons licensing or something similar where the rightsholder gave express permission for this and other certain types of re-use.

A very few, like Brian Ibbott of Coverville, managed to navigate their way through the dizzying licensing and legal structures so they could play commercially available music on their podcasts within the framework of the law. And it’s probably a good idea for me to state this here: It illegal to play any content on your podcast that you do not own if you do not have express permission from the copyright holder. Just because you bought a CD or downloaded an album online, it doesn't mean you own the rights to play any portion of that music on your podcast.

Spotify made all of those troubles go away.

The Phones Are Alive With The Shows With Music

Leaving aside the fact that Spotify somehow managed to find a term that’s less sexy than podcasting, some new “shows with music” are available in Spotify’s app right now. On the iOS app, they’re prominently featured within their own category on the search page rather than being lumped in with podcasts.

As of this morning, there are only seven shows with music listed in this hand-curated section. These seven shows are highly produced by people with serious chops in the music industry or existing podcasters with tight ties to Spotify. But Spotify, via Anchor, is allowing anyone to create their own show with music, using any and all of the 50 bazillion song titles in Spotify in an episode of their new show.

I listened to all of the currently available shows with music last night and I quite enjoyed the experience! Some appealed to me more than others, but all of them were great.

More importantly (to Spotify and the conceit of this article): All of those shows with music were examples of excellent content. Content that I cannot get anywhere else.

Won’t Someone Think Of The Podcasters?

If your hot take is “these aren’t podcasts” or anything else of that ilk: take a time out. For just a moment, please? This isn’t about you. This is about something new. Your arguments against and complaints about this emerging medium aren’t going to stop it from emerging, so chill. Let it settle and soak. You don’t have to love - or hate - everything.

This Is Podcasting’s First Spinoff

At least it’s the first spinoff from podcasting that I can think of that’s demonstrably something different. Sure, we’ve seen lots of efforts tangentially related to podcasting, but none of them have really gained any traction with either creators or listeners on a big scale.

I’m taking a risk betting on the success of a public announcement that’s less than 24-hours old and has a whopping seven shows showcased, but I think we’re in Instagram, Snapchat, and TikTok territory here.

Before yesterday, audio-only content creators had two options. Radio was one, but that typically meant internet radio (tiny reach), pay-to-play (distance-limited reach and hefty fees), or by getting a job on a radio station. The other was podcasting, which gave creators nearly unlimited creativity, so long as the creator was creating everything on their own, including the music.

Now, there’s a third choice. A choice with restrictions on format and limitations on distribution, yes. But a choice without legal ramifications from the contents, near-limitless options on music, and a distribution footprint in the hundreds of millions.

Perhaps those restrictions don’t seem quite as limiting on balance?

More People Want To Be DJ’s Than Talk Show Hosts

I don’t have any data to support that claim, but it feels directionally correct. Yes, there are many of us who like producing spoken word content. But it was the late-night DJ and their imagined perfect life many of us wanted yearned for as we drove a lonely road. Not the guy reading the community calendar on our local public radio station.

People listen to WAY more music than they do spoken word, and Spotify is betting that many of them will want to curate their favorite music content on a regular basis, sharing their tastes with the world. And I’m confident Spotify is right in this assumption.

Which leads me to this:

More Shows With Music Mean Less Crappy Podcasts

Spotify’s shows with music will be an influencer magnet. Spotify’s shows with music will allow for a much easier path to monetization, fame, and everything else influencers crave.

As influencers flock - and yes, I truly believe they will flock - to this new offering, the appeal of “hey, I should start my own podcast” will switch to “hey, I should start my own show with music”. Anchor will push new users in this direction, as it’s beneficial for everyone involved - from show creator to music rights holder to Spotify - when Anchor makes it easy to become a real influencer on their platform and within Spotify.

This is something influencers can’t do anywhere else. For them, the choice between making a podcast, getting a radio show, or creating a new show with music on Spotify is obvious. I think those influencers will be rewarded for making engaging content their audiences love just much as they're rewarded in every other medium where influencers reign supreme.

It’s the promise of reward that will cause would-be influencers to be more attracted to Spotify’s shows with music than they are with the pain and suffering that comes from making (and launching, and growing, and monetizing) a podcast. And as the real influencers go, so do the would-be influencers, hopefully abandoning (and removing from podcasting directories) their half-baked efforts at podcasting in the process.

A Boon For Music-Inclined Podcasters In The Making

Allow me to introduce you to my good friend and beautiful human being, Donna Mugavero. Donna doesn't have a podcast, though she’s podcast-adjacent, helping produce the podcast of the next person I’m going to talk about. Donna is a consummate music connoisseur, with music tastes even wider than my own. As such, and for fun, Donna often hosts a mid-day radio program filled with her eclectic music choices on her local NPR-affiliate, WDIY. I listen as often as my schedule allows, but such is the problem with appointment-based media.

I desperately want Donna to make a show with music, pushing out new episodes every week or so. My ears, my brain, and my heart want this. She’d be brilliant!

Then there are podcasting musicians like my good friend (and Donna’s next-door neighbor) George Hrab of The Geologic Podcast. George is a highly-skilled and accomplished full-time musician, and his podcast episodes often feature music (his, mostly) and music commentary (Yes, mostly). No, I don’t want George to dump his podcast in favor of making a show with music on Spotify. The Geologic Podcast is about much, much more than music, and it would be a travesty were it to cease.

During the pandemic, Geo has been putting on live remote concerts every couple of weeks in a series called 13 Songs With George Hrab, where he chooses (see if you can guess) 13 songs around a central theme, and then performs his covers of those tunes on the live video. But it’s more than that.

Geo possesses of an encyclopedic knowledge of music. He researches the why and the how of each song presented. Often he goes into the mind-boggling yet highly entertaining theory behind chord progression, time signature, and other minutia of a particularly interesting aspect of a song, blowing everybody's mind in the live chat room that accompanies the live stream.

No, I don’t want Geo to stop doing the live 13 Songs show. I love the interaction, and I love listening to his own musical stylings on each song he covers. But I would love to see a Spotify-only version of 13 Songs, this time with the official music track presented along with all of Geo’s deep gushing of musical knowledge setting up each and providing commentary in between. That would be so fantastic.

Are Spotify Shows With Music Podcasting’s Existential Threat?

The short answer is no.

The longer answer is nooooooooooooooooooo.

(No, I didn’t write that joke. But I love it.)

Spotify’s’ shows with music have no negative implications for working podcasters like you and me. I don’t think many of us will abandon our podcasts to create a new show with music exclusive to Spotify. I’m sure not going to stop bringing you philosophical thoughts on the future of podcasting just so I can demonstrate how little I know about the music I love so much.

There are, however, many positive implications. Some (many?) podcasters will find great benefit by having a Spotify show with music to accompany their podcast, much in the same way that many podcasters find benefit in having Instagram, Snapchat, and Tiktok accounts.

Of course, we don’t know what the future will hold. But I’m confident that Spotify’s shows with music are a very big deal for and beyond podcasting. Watch that space.

As a reminder, Evo’s long winter’s nap starts in a few weeks, with no new episodes during November and December. Well… no new episodes from me. I am allowing others to do their own pontificating right here during my absence. If that sounds like something you’ve like to do (and seriously, the size of your audience isn’t at all important to me, only the ideas you’d like to share), please get in touch with me: evo@simpler.media.

Please visit BuyMeACoffee.com/EvoTerra if you want to support the show, and please tell a friend about Podcast Pontifications. The only this show reaches more people is when you, my current listener, tell a friend

I shall be back on Monday with yet another Podcast Pontifications.

Cheers!

Transcript

PPS3E48 Why Spotify's Shows With Music Is A Big Deal Beyond Podcasting - Transcript

[00:00:00] Spotify now lets you place entire hit songs in your episodes with monetization options and no licensing fees. Yes, there's a twist, but this might be the biggest change to hit podcasting since well, podcasting.

Hello and welcome to another podcast. Pontifications with me. Evo terror. Yesterday, Spotify [00:00:30] removed a seemingly unmovable object that some say has plagued podcasting since the beginning of pods casting. And that is music licensing from the start. Podcasters some successfully, most dismal failures have one to play licensed commercial music, the things you hear on the radio and you have in your CD collection on their shows, but that has been verboten.

Because you don't have the rights [00:01:00] to broadcast or even podcast that material back in the day, many podcasters who wanted to also to be music, pod-casters had to satisfy themselves with using what we call pod safe music, music that was creative commons licensed or something else. That would allow us to play that music.

And that was fun. Hi, CC Chapman from access, one of the probably biggest purveyors of that and a few like Brian EBIT from cover Ville managed to navigate their way through the [00:01:30] crazy licensing structure we're able to and are still able to after like a thousand or so episodes. Wow. Cover. Bill's doing great.

Um, Continue to play commercial music for the rest of us. It's been one of those dark gray areas. It gets illegal to play content on your podcast. You do not have the explicit rights to, and just because you bought a CD or downloaded an album online, doesn't mean you have the rights to rebroadcast it.

Right? Bingo. [00:02:00] All of that went away yesterday. All of it went away yesterday because Spotify has just unveiled something that they're calling shows with music just came out yesterday. If you go to pull up your Spotify app right now on the home page, there's a section on your app in the phone. Browser is a different thing and desktop apps, a different thing, but on the phone, at least in the iOS, you can see shows with music and there are seven.

Or the word last night and were this morning when I checked seven [00:02:30] different shows with music that Spotify is featuring because they're allowing anybody now to create episodes of shows with music that have complete songs from the Spotify library, which has what, 50 bazillion titles, everything what's not in Spotify, right?

The number of songs that aren't in Spotify or vastly smaller than the number of songs that are. I listened to all of these shows with music last night, every single one of them I'm [00:03:00] really enjoyed them some more than others, but they were all really great. Really, really great. Now, before I get in to why I'm so excited about this, let me call into closely.

If you're a podcaster out there, who's thinking I want to talk to you for just a minute. I'm just, just, just me and you real talking for a second. Okay guys. Ready here. It is. Be quiet for just a moment. This isn't about you. This is about something new. We need to let it happen. [00:03:30] You're arguing, complaining.

Isn't helping right now. Save it for just a little bit. Okay. All right, everybody else out there. Here's why I'm so excited about these new shows with music as Spotify calls them. Number one, this is the first spinoff of podcasting. That I can think of, but I've seen, we've had a lot of small things try and spin off here and there, and a few things that are tangentially related.

But this to [00:04:00] me is the first major spinoff podcasting has had to me. We are in Instagram, I am Snapchat and Twitter talk territory with this. These new shows with music will be as different as those new. Video platforms, those new social media networking type things, kind of an amalgamation of both. That's, that's how I'm thinking about these.

When you think about what we've [00:04:30] had as creators to do audio only content for forever to two options, right? I mean radio. Sure. But the internet radio pay to play radio or the vanishingly small number of people who actually get paid to have a radio show and podcasting. That was it. I forget the failed Twitter, Paris, Nope, light audio thing they've been trying to do, which continues to drop in a few of them.

Other ones they're just not there, but this is a way now you can actually make a show [00:05:00] that people want to subscribe to and listen to that heavily features music. That's important for reason. Number two, I think more people want to be DJs than want to be talk, show hosts. I think there are a handful of us out there, high working podcasters who are listening right now, who liked to be talk, show hosts, but many people also want to be DJs.

They want to showcase a favorite music. They want to curate content and make that what they want people to listen to it. They want to talk about it. That's really [00:05:30] what they want to do is they want to be a DJ more than they want to be a talk show. Host. Third thing that I'm excited about. This will eventually mean we have less crappy podcasts to Wade through.

I know I'm a crazy person when I say that, but all of the reasons I just mentioned, they're both of the reasons I just mentioned the idea that this is much more like an Instagram or Snapchat or a tick tock. This is becoming an, this will become an influencer magnet because of the monetization angle.

Because you [00:06:00] get to play entire songs with you can't do anywhere else, right? No, over-talking, it's not like a radio show where the DJ comes on and ignores you or talks over the song and ruins your experience. I think the influencers are going to flock heavily. To this. And I think they'll be rewarded as much as they're rewarded in every other medium.

And I think that will cause the people who are kind of half asking the podcasting thing via anchor and other cheap tools to get things into these botified ecosystem. I [00:06:30] think a lot of them will change, focus now and switch to the music idea. Cause it's all lot easier. Number one, and it might be more likely what they want it to.

Now a couple of use cases that excite me about this. And I want to talk about some podcasters specifically. I'll I'll name two of them by name one is my good friend, Donna Mogavero. Hi, Donna. Miss info. Donna is, uh, tangentially related to podcasting. She doesn't have a podcast. She's been on lots of podcasts and she helps produce a very popular podcast.

I'll talk about that one, but [00:07:00] Donna is a consummate music. Uh, what's the word I'm looking for? Curator, I guess. Right? She's got impeccable. She does a radio show every other week, gender. So locally and plays all sorts of weird, crazy music. That's great, but she has to follow that radio format. Donna would be great.

I've asked her so many times to curate her list as a Spotify playlist, but now getting it as a full show I can listen to would be wonderful. So Donna, if you're listening, which you will, because I'm going to tag you in this. Yeah. This is something for you, [00:07:30] tangental to Donna or next door to Donna is George Rob, my friend, and also the host of the geologic podcast.

George is a musician. And his show has episodes of a show, oftentimes feature music, his music. Yes. But also other music you'd like to play from the band. Yes, but he can't because of licensing regulations. So not only could George use this, but I don't want him to shut that as podcast. George does a, every couple of weeks, this live video thing called 13 songs with George Trump.

Where he [00:08:00] talks about songs and Holy cow, this guy has encyclopedic knowledge of how music is made and what went into making the song itself and the people, as well as just the theory behind the notes blows everybody's mind in the chat room. I wouldn't George making a version of 13 songs instead of him playing the covers, which I totally enjoy and love.

I want to see a version, you know, 13 songs with George Trump, where he plays the actual track and then goes all that deep gushing of musical knowledge in between. So. So fantastic. [00:08:30] Here's the podcast implications to you working podcast? Or are you ready? None. None. This has no negative implications for you working podcasts and probably not even positive implications.

Look, I'm not going to go create one of these shows. I'm not going to stop doing podcast pontification so I can become a music curator. Of course, if you're podcasting about music than many people do or in the music business, this might cause you to think about multiple distribution channels. You are a regular main [00:09:00] podcast where you talk around things and then this new Spotify only show with music where you actually showcase the product.

So exciting. Can't tell how thrilled I am that this is happening right now. I think it's going to be a massive change to how we address podcasting. Right? Okay. Um, As I mentioned previously, I'm going on break for November and December. So if you want to help, if you want to actually put out an episode, get in touch with me, evo@simpler.media, buy [00:09:30] me a coffee.com/evo Terra.

If you want to support the show and as always tell a friend about podcast, pontifications not the only one, the way that this show grows. Thanks for your attention. Go play with the Spotify shows with music and I shall be back. Uh, yeah, Monday, Monday, cause I take off on Fridays and then the whole weekend.

So I'll see you on Monday for another podcast. Pontifications cheers. [00:10:00]

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